Monet's Gardens


 

The next stop for drawing after the Canson Prix was to Monet's Gardens in Giverny, about 45 minutes outside of Paris. My mom, Chris, and I took the train out to the country early in the morning and spent the whole day wandering around the house and the extravagant grounds that Monet created.


Outside the house, the gardens are so thick with flowers that it's hard to find the paths in between the flowerbeds. From fence to fence, there are irises in every shade of purple and yellow, as big as grapefruits, peonies the size of basketballs, and poppies bigger than dinner plates resting on the ground because their comparatively puny stems can't support them.


It is a wonderland for an impressionist, with every color, mark, and shape imaginable, crammed into a beautiful plot on the French countryside.


With each flower more spectacular than the next, it was hard to focus on one thing for very long. I felt like one of the lucky Giverny honey bees flitting from flower to flower, trying my best not to sting any dazed, ambling tourists that got in my way.


Every once in a while a single flower happened to jump out.


Compared to the rowdy mob of flowers near the house, each shouting for attention, Monet's famous waterlily pond was like a quiet conversation between friends about how pretty they all are.


The tranquil pond, ringed with weeping willows and irises, and dotted with lilies and baby ducklings, is like a fairytale (stuffed with as many tourists as can possibly fit). It is easy to see how Monet could have spent the last years of his life needing nothing but to contemplate the little oasis he created for himself.




The Eiffel Tower


While in Paris for the Prix Canson 2013, Chris and I took a few extra days to go draw around Paris. One of our nicest days was spent relaxing in the shade of the gardens around the Eiffel Tower. The Tower is so perfectly Parisian, like all of the wrought iron balconies from the buildings of Paris decided to get together and make a building of their own.


I love having a park around the Tower. It would be nice if 34th St in Manhattan were a gorgeous planted promenade in front of the Empire State Building, built so we could all laze around and marvel at it.


We stayed there the whole day, watching the the color shift across the Tower as the sun drifted closer to the horizon and sank behind the trees.



Prix Canson 2013



I just returned from a wonderful trip to Paris as one of 39 nominees for the international competition, Le Prix Canson. The Prix is sponsored by Canson, a leading paper company since 1557, to promote emerging artists working with paper.


I was honored to be nominated as the artist for Canson USA, and thrilled to be able to be in Paris for the awards ceremony and exhibition at the Petit Palais, Musée des Beaux-Arts de la Ville de Paris. A big thank you to Robert Toth and Giulia Giovanelli and everyone at Canson for the nomination and all of the arrangements.

Chris and I arriving for the reception at the Petit Palais. Photo by Mom (not pictured).
My drawing, above, from my reportage of a zelij tile workshop in Fes, Morocco, was part of the exhibit.

Although I didn't win the prize, the winner was Zimbabwean artist Virginia Chihota, it was wonderful to be able to enjoy the beautiful reception in the courtyard at night, and see my work on the wall in the museum. The Petit Palais is one of the most beautiful buildings I've seen in Paris. Designed for the 1900 Universal Exposition in Paris, it is in the Art Nouveau style with (somewhat) toned-down and elegant decoration compared to a lot of Parisian grandeur.


In the days around the event, Chris and I took some time to relax and draw in the Tuileries Gardens, near the Louvre.


We sipped fresh-squeezed orange juice and café crème while watching the Parisians and tourists lounge languidly under the dappled shade of the square-cropped chestnut trees. Ahh Paris!


The girl at the table next to us puffed lazily on her cigarette, scrawled dramatically into her notebook, and personified perhaps dozens of French artist stereotypes at once. My hunch is that she was an American college student studying abroad.


It was a wonderful experience, and so magical to be in Paris in June. Every single iris was in bloom! Stay tuned for more drawings from the rest of my trip!


Paris: Monmartre



Now that school's started again, I can start reliving my summer! Still working backwards...the last day of my trip to Paris, was the neighborhood of Monmartre.



Monmartre feels like a storybook version of Paris, with old cobblestone streets intersecting at impossible angles, wacky characters, and soaring views of the entire city. And stairs. Lots and lots of hills and stairs.



The center of Monmartre is the beautiful Sacre Coeur basilica. It's a very unusual cathedral, that looks almost Middle Eastern, with tall domed towers and the pure white stone. It always looks to me like it's been plucked out of the desert and put onto a Parisian hillside.






Back behind the cathedral is a beautiful (although closed) vineyard. I did my best to fumble through the placard with information about it, but then I overheard people talking about how the wine is awful, because of the lack of sunlight, but sells for a very high price because they donate the proceeds to charity.



My last stop in Monmartre was to the artist square, where dozens of artists and patrons cram into a small square to paint, sell, and buy art. It's great to see all of the artists out there working in such a picturesque place. It makes you feel like you're sitting in the residual energy of Toulouse-Lautrec, Van Gogh, and all the other artists who worked there, trying to soak up anything they left behind.